Publishers fold, Agents withdraw: how to keep writing and keep submitting when ‘it’ hits you

When you lose an agent or publisher, it’s time to work.

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Writers spend a lot of time working in isolation. We’re also prone to self-doubt. We can quickly move from, “I just wrote something great! to “This is possibly the worst thing ever written, by anyone.”

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When we finally find an agent who offers to represent us or an independent publisher who offers us a contract, there is a level of validation, a temporary euphoria unlike any other. We tend to think, “Someone else likes what I wrote; my writing is going to reach readers!”

[If you bother to submit to agents/publishers, you hope to find readers.]

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Writers tend to be creatives, and many of us are not also business people. We love the art or our pursuit and can forget that much of publishing – the agents, the printing/selling – are business for people trying to make a living (even if most of them also love the art of it); the agents and publishers at least need to break even rather than lose money. And in publishing these days, not losing money is harder and harder to achieve.

Recently, for example, the independent publisher who had signed me to publish the first two books in my mystery series decided that he could no longer keep things afloat. He’s shuttering his business and working on returning book rights to over 30 authors.

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Also in the past year a well-known author’s agency decided they were severing ties with a list of their represented authors who they deemed as not ‘financially viable…enough’.

This is tough news to get. We work so hard, think we’ve finally made another level, only to find that through no fault of our own the landscape has shifted under our feet and we’ve at least metaphorically tumbled down the hill. That’s what it can feel like. It can also feel defeating and hard to keep motivated.

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How can we help ourselves when we feel discouraged?

  1. Take a moment to grieve: it’s a good idea to acknowledge the sense of loss that one feels when something that one has worked so hard for is suddenly gone. Like any loss, rather than ignoring it, allow for acknowledgment of it. Remember though, there is a line past which acknowledgement becomes wallowing. If you’ve quit writing for more than a few days, you need to get back to work.
  2. Work with other writers: I find that making myself sit down with another writer, or joining a writing group to meet once a week (even to just discuss a work in progress), can provide motivation that working alone does not. That doesn’t mean I enjoy making myself do these things, but I admit they sustain me in writing when working alone might not.
  3. Set new goals: the past is just that. Whatever hard work and steps you put into finding your first agent or publisher, can be re-harnessed to do the job again. The business of writing requires time and effort.
  4. When discouraged, remind yourself how far you’ve come: Hundreds of thousands of people are working on writing books. If you’ve gotten as far as having an agent or publisher, you’ve made it further than 90+% of them. Don’t give up now.
  5. A better deal is ahead: Ask most writers and they’ll tell you the more/longer they’ve been writing, the better their writing gets. As you grow in your experience you will have more to offer an agent/publisher and that will open new doors to you. Something better is on your horizon, as long as you keep working your way towards it.
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One cannot publish a book that remains unwritten.

If one writes a book, it will remain unseen by others without marketing (e.g. put it out there to agents/publishers or even directly to readers.) The book that eventually is published, though, just may find an audience. And that is an incredibly satisfying feeling.

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To Rember, When Book Writing and Seeking Publication

The more writing and querying you do, the better you ought to get at doing what you’re doing. Sometimes the first written novel will not find an agent, but as a writer, you should also be working on your next book even while you are querying the first.

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Practice Writing, Revise, Repeat

I’ve been writing a loooong time. When I was in high school, I was thrilled to be gifted an electronic typewriter with built-in correction tape [to be clear – this was state-of-the-art at the time]. By the time I was a senior, Dad, who was an early tech adopter, purchased our first family computer. I could not get him to understand how that didn’t help me as a writer unless he actually bought a printer. This was decades before publishers were taking electronic submissions, and with dial-up modems, it would have taken over a day to send a manuscript electronically and with the amount of electronic screaming the phone lines provided, no one would have put up with that for longer than it took to send a fax.

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I mention this because newer writers sometimes ignore the foundational part of becoming a writer – practice writing. Lots, and lots, and lots of writing, revising, and reading, and learning, and practicing. I’m published now, but that took over two decades, three strokes and recovery from them, and time off for graduate degrees.

Malcolm Gladwell has posited that one requires 10,000 hours of practice to become established at something; this may not be true for everyone but when it comes to writing, there’s a lot to be said for practice, revision, and more writing.

It also helps to come to terms with the realization that some ideas are good without being novel-worthy and some characters are engaging but don’t have a story that’s compelling enough to earn readers.

  1. Just because you’ve written something good doesn’t mean it’s good enough to find a traditional publisher.
  2. Just because it’s good enough, doesn’t mean it will find a traditional publisher.
  3. Your journey to becoming published requires as much persistence, research, and work as it does creative talent.
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Perseverance and research

If your goal is to go the traditional publishing route, then writing the book is arquably only half of the work you have to do. Querying agents and independent publishers who are open to your genre and unagented queries, is hard work. I previously posted on how to write a compelling query letter – which needs to be on point at 300 words.

The first paragraph of your query letter should be changed to suit each individual and company that you send it to.

You may have to revise your letter 50 – 150+ times. Yep, it does get discouraging to get 75 people in a row telling you that while your manuscript is good, it’s just not what they’re looking for at this time.

I found this response on a thread where a new writer was asking people who had submitted, how many rejections they received:

“My first novel I queried -140 rejections, 0 offers. Second novel I queried – 40 rejections, 5 offers. Third novel- 10 rejections, 1 offer.

None of those novels were related, I just got better at timing and hitting the right audience during the hard part of research in the trenches.”

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First Written Doesn’t Mean First Optioned

The more writing and querying you do, the better you ought to get at doing what you’re doing. Sometimes the first written novel will not find an agent, but as a writer, you should also be working on your next book even while you are querying the first.

Sometimes the second book gets picked up; sometimes it is the third. You can always resubmit your earlier work once you eventually do have a publishing record. People – including Steven King and Ellis Peters – have done variations of this.

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Caveat

Of course, you may also find that like Agatha Christie and Arthur Conan Doyle, once you’re known for a particular genre/character, readers aren’t really interested in your ‘other’ ideas. Writers, like actors, can basically become typecast, e.g. known for a particular genre. Which is a bonus for sales of new work, and a curse if you want to write different kinds of things. Readers cannot be counted on to buy work that is outside the genre they initially loved you for.

Not that any of us early in our careers can really wrap our heads around the idea of resenting readers for loving us too much for a particular story we’ve created. That’s a future-you worry, right?

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